MA Screenwriting MA Screenwriting Outstanding writing is fundamental to the success of great film and TV, and your ability to tell a good story is just the beginning. Now you can take your work to the next level, gain an internationally recognised postgraduate qualification and produce an exceptional volume of script work.
Page limits are suggested lengths only. Logline Sentences — Provide a brief, catchy bfi screenwriting agents of your story.
Give an overview of your story, introducing the main characters and potential plot points. Describe the anticipated story structure and narrative trajectory, or potential character arcs for your project. Discuss your access to the story and characters.
Topic Summary Approximately pages Why is this topic important, timely, or relevant? Why are you the best person to make a film about this? Explain the cultural or social relevance and context for the topic, and why this project is timely or urgent.
Detail the topics, issues, themes, challenges, stakes, or questions that your project will cover. Describe your creative vision for the finished project — its visual look and feel.
Explain your intended use of cinematic language or any particular artistic approach that informs the storytelling. If applicable, mention any creative elements and assets, interactive elements, new technologies or non-traditional mediums that you intend to utilize.
Explain how these elements will enhance the experience and interaction between viewers and the world of the story. Project Stage Approximately 1 paragraph Explain the current status of the project. Your timeline should cover both the creative and production processes and should detail major project activities, production schedules, and anticipated post production and release dates.
If you have applied before, please share how your project has progressed since the last time your applied.
Audience and Distribution Strategies 1 paragraph for each Distribution and Marketing Strategy Characterize the intended distribution life for your film. How do you plan to reach your target audience? How have you addressed the needs and interests of this audience in your film? What is your relationship and access to this community?
Audience Engagement and Social Impact if applicable Audience Engagement is a strategy designed to activate audiences and constituencies toward a specific goal. Not all films are suited for social engagement, but if yours is, what actions do you hope for viewers to take after seeing your film?
Do you have partnerships with organizations in your issue area already, and if so, how are these relationships informing your project development?
Do not send resumes, CVs or extensive filmographies. Bullet list any other advisors or consultants, if applicable. Financial Info 1 paragraph for each Fundraising Strategy Describe the strategy for raising the additional funds necessary to complete the project.
Include all sources and amounts raised to date. Clearly distinguish between potential sources of funding and secured amounts. List the status of other sources of funding currently under consideration, whether to be applied for or pending.
If you were to receive a grant, describe how the funds would be spent. In light of your total budget, how would these funds help you move forward with your project?
|Bring on the numbers…||They are looking for 7 things that make your screenplays especially sellable for large sums of money. This article is for those of you have or hope to have agency representation in the future.|
Visual Sample Please provide links and passwords for both samples in your written proposal. Note that we only accept links via online streaming sites. If a prior directing sample is not available, you may submit a film you have shot or edited. Alternatively, previous work from a key creative on the team will also be accepted.
A directing sample is not required for Audience Engagement applications. Describe the sample you have submitted, including its narrative, aesthetic, or communication intentions.
Discuss the relevance of the work to the current project, if any. If the current project is a departure from the prior work, how will this film differ?Don Films.
Hailing from the gritty, no-nonsense country of Finland, comes DON FILMS. Co-founded in by friends with solid backgrounds in producing, directing and screenwriting, we devote ourselves to character-driven stories with high stakes and unstoppable momentum.
Gain an introduction to Production Management, on this intensive, one-day course providing a practical overview of the role, its main responsibilities and the key tasks that . Screenwriter's Agents, (Writer's Guide): Who They Are! [pdf]contemporary british cinema This and other bfi National Library 16 + Guides are available.
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Screenwriting Contest finalist Charles Stulck signed with manager Andrew Kersey, a mere two weeks after introductions by Script Pipeline. Charles placed in the top 10 with his horror/comedy Cult-de-Sac.
ScreenCraft's Ken Miyamoto shares everything screenwriters need to know about agents and managers, taken directly from some of the industry's best. ScreenCraft's Ken Miyamoto shares everything screenwriters need to know about agents and managers, taken directly from some of the industry's best.
Screenwriting Competitions and . A Screenwriting Salary - how much do UK scribes REALLY earn? lthough it’s hard to get on the screenwriting salary ladder and even harder to stay on it – let alone climb beyond the middle rung These include agent’s commission at an average of 15%, for example, the BFI alphabetnyc.com or 4 Talent’s Coming Up, your screenwriting salary.